1
Los Angeles, California (US)
(1) Please introduce yourself: What is your name, where are you from, what do you do?
Hello, my name is Andrew Ward. I am from Dublin, Ireland originally, but have been living in Los Angeles for over 20 years. It has become my adopted home. I am a photographer based in Los Angeles and have done a considerable amount of travel with my work over the years. My work had mainly been people-driven – that was the subject matter I was focused on. I began photographing sofas and abandoned furniture on the streets of Los Angeles in 2012… it is a project that has grown, and although I am now focused on photographing just sofas, I have photographed over 1200 of them in the past 6 years.
(2) What is your relationship with photography and how did you get into it?
I work in the movie business—it’s my career and what I do for a living. Even the smallest movie requires a big amount of collaboration, organization, and team effort with others – which is part of what it takes to create that medium. With photography, it’s much less of a collaborative effort, and the responsibility comes down to you: create something and get your work out there... That is what attracted me to photography originally—the spirit of independence that it imbued in me. With photography, I am always looking to challenge myself in a medium that has already been so heavily explored and exploited. We are living in an era where images are replacing language as our primary form of communication. Photography has become so ubiquitous and has developed a certain amount of unruly disciplines – we are living in the age of the ‘selfie’ where photographs are disposable and have a limited shelf life, like our news cycle, and everyone is a photographer. In all of this, I began to refocus myself as an artist in relation to the medium of photography and was looking for a project that required me to become focused on a particular subject or thing… I wanted to get away from the noise of what photography in the digital age had become. I was looking for something that was quiet and where you could find intrigue and beauty in the obvious and the ordinary. There are a few quotes that I use to help me focus myself and work: (1) «Photography is the easiest medium with which to be merely competent. Almost anybody can be competent. It’s the hardest medium in which to have some sort of personal vision and to have a signature style.» (Chuck Close); «To me, photography is an art of observation. It's about finding something interesting in an ordinary place... I've found it has little to do with the things you see and everything to do with the way you see them.» (Elliott Erwitt)
(3) Regarding your project The Sofas of LA: What was your intention, and how did you come up with the idea?
My current project—The Sofas of LA—the genesis of this project came from the blight of abandoned and cast-off furniture that randomly appear of the streets and sidewalks of Los Angeles. It’s as if the ground pushes up a fresh crop of them overnight, like mushrooms. They appear daily and then sit, withering and wilting in the LA sunshine unless a seldom opportunist repurposes one but generally they are eventually collected and removed by the city sanitation department. What was once the centerpiece of someone’s home now sits abandoned on a city sidewalk. What has become apparent to me since I began photographing this cast-off furniture is how some of the pieces blend in with their new and unintended environments. Many of these specimens seem more at home in their new surrounding than what their original intended purpose had been—a specifically designed piece of upholstered furniture with the express purpose of providing a place of comfort for two or more people to sit, in the comfort and surroundings of a home. I am not from Los Angeles. I was born and grew up in Dublin, Ireland. I moved to Los Angeles in the mid 1990’s at the tail end of what had been a tumultuous period for the city. Everything in LA initially was alien or foreign to me - the endless sprawl and mass of people, cars, concrete freeways, endless asphalt streets, the broken and neglected lonely sidewalks. One thing in particular stood out to me though. The rate and consistency at which abandoned furniture, particularly, sofas that would crop up on the curbs and sidewalks of the city and it’s environs. I was drawn to the sofas as I felt that each one had a personality of it’s own and story behind it. It was like random ghosts lurking and drifting loosely on the city streets trying to find their way home. They have become part of the fabric of LA; reflecting on one hand the transient nature of the inhabitants of the city in addition to the disposable nature of our consumer driven world. This project represents an alternate view of Los Angeles and identifies a different element of the many fragments that go into the making of this complex Metropolis.
(4) What are you currently working on, and—if there is—what is your next project or journey?
I am working on publishing my book The Sofas of LA, it’s all put together and more or less edited—there were over 1,000 sofas that I photographed, so it was a challenge to get it down to 60 or so for this book project. I want to get the book out this year. I have been working on this project since 2012. I’m continually photographing new subjects—all in Los Angeles right now. There is another series which began before The Sofas of LA—a project called Alternative Accommodation which focuses on the make-shift accommodation that homeless people string together in order to make it by. It is tied into the sofa project as it is a project that I photograph on the streets of Los Angeles. That’s all for now, Alexandre—thanks for inviting me to the project.
Thank you, Andrew.
2
3
4
5
6
7
8
9
10
11
12
13
14
15
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17
18
19
20
Images
1 Elm Street, Cypress Park, Los Angeles, California (US).
2 W. Centinela Ave, Culver City, Los Angeles, California (US).
3 Mateo St, Arts District, DTLA., Los Angeles, California (US).
4 Figueroa Street, Mount Washington, Los Angeles, California (US).
5 N. Cherokee Ave, Hollywood, Los Angeles, California (US).
6 Riverside Drive, Frogtown, Los Angeles, California (US).
7 Chicago Street, Boyle Heights, Los Angeles, California (US).
8 N. Avenue 50, Highland Park, Los Angeles, California (US).
9 York Blvd, Highland Park, Los Angeles, California (US).
10 Monterey Road, Hermon, Los Angeles, California (US).
11 Monte Vista Street, Highland Park, Los Angeles, California (US).
12 Elk Street, Glendale, Los Angeles, California (US).
13 Sichel Street, Lincoln Heights, Los Angeles, California (US).
14 San Pascual Drive, Garvanza, Los Angeles, California (US).
15 N. Avenue 57, Highland Park, Los Angeles, California (US).
16 S. Avenue 64, Garvanza, Los Angeles, California (US).
17 Toledo Street, Highland Park, Los Angeles, California (US).
18 N. Avenue 66, Garvanza, Los Angeles, California (US).
19 Griffin Avenue, Lincoln Heights, Los Angeles, California (US).
20 Nolden Street, Highland Park, Los Angeles, California (US).
© Andrew Ward, The Sofas of LA, Los Angeles 2012–2016.
1
Los Angeles, California (US)
(1) Please introduce yourself: What is your name, where are you from, what do you do?
Hello, my name is Andrew Ward. I am from Dublin, Ireland originally, but have been living in Los Angeles for over 20 years. It has become my adopted home. I am a photographer based in Los Angeles and have done a considerable amount of travel with my work over the years. My work had mainly been people-driven – that was the subject matter I was focused on. I began photographing sofas and abandoned furniture on the streets of Los Angeles in 2012… it is a project that has grown, and although I am now focused on photographing just sofas, I have photographed over 1200 of them in the past 6 years.
(2) What is your relationship with photography and how did you get into it?
I work in the movie business—it’s my career and what I do for a living. Even the smallest movie requires a big amount of collaboration, organization, and team effort with others – which is part of what it takes to create that medium. With photography, it’s much less of a collaborative effort, and the responsibility comes down to you: create something and get your work out there... That is what attracted me to photography originally—the spirit of independence that it imbued in me. With photography, I am always looking to challenge myself in a medium that has already been so heavily explored and exploited. We are living in an era where images are replacing language as our primary form of communication. Photography has become so ubiquitous and has developed a certain amount of unruly disciplines – we are living in the age of the ‘selfie’ where photographs are disposable and have a limited shelf life, like our news cycle, and everyone is a photographer. In all of this, I began to refocus myself as an artist in relation to the medium of photography and was looking for a project that required me to become focused on a particular subject or thing… I wanted to get away from the noise of what photography in the digital age had become. I was looking for something that was quiet and where you could find intrigue and beauty in the obvious and the ordinary. There are a few quotes that I use to help me focus myself and work: (1) «Photography is the easiest medium with which to be merely competent. Almost anybody can be competent. It’s the hardest medium in which to have some sort of personal vision and to have a signature style.» (Chuck Close); «To me, photography is an art of observation. It's about finding something interesting in an ordinary place... I've found it has little to do with the things you see and everything to do with the way you see them.» (Elliott Erwitt)
(3) Regarding your project The Sofas of LA: What was your intention, and how did you come up with the idea?
My current project—The Sofas of LA—the genesis of this project came from the blight of abandoned and cast-off furniture that randomly appear of the streets and sidewalks of Los Angeles. It’s as if the ground pushes up a fresh crop of them overnight, like mushrooms. They appear daily and then sit, withering and wilting in the LA sunshine unless a seldom opportunist repurposes one but generally they are eventually collected and removed by the city sanitation department. What was once the centerpiece of someone’s home now sits abandoned on a city sidewalk. What has become apparent to me since I began photographing this cast-off furniture is how some of the pieces blend in with their new and unintended environments. Many of these specimens seem more at home in their new surrounding than what their original intended purpose had been—a specifically designed piece of upholstered furniture with the express purpose of providing a place of comfort for two or more people to sit, in the comfort and surroundings of a home. I am not from Los Angeles. I was born and grew up in Dublin, Ireland. I moved to Los Angeles in the mid 1990’s at the tail end of what had been a tumultuous period for the city. Everything in LA initially was alien or foreign to me - the endless sprawl and mass of people, cars, concrete freeways, endless asphalt streets, the broken and neglected lonely sidewalks. One thing in particular stood out to me though. The rate and consistency at which abandoned furniture, particularly, sofas that would crop up on the curbs and sidewalks of the city and it’s environs. I was drawn to the sofas as I felt that each one had a personality of it’s own and story behind it. It was like random ghosts lurking and drifting loosely on the city streets trying to find their way home. They have become part of the fabric of LA; reflecting on one hand the transient nature of the inhabitants of the city in addition to the disposable nature of our consumer driven world. This project represents an alternate view of Los Angeles and identifies a different element of the many fragments that go into the making of this complex Metropolis.
(4) What are you currently working on, and—if there is—what is your next project or journey?
I am working on publishing my book The Sofas of LA, it’s all put together and more or less edited—there were over 1,000 sofas that I photographed, so it was a challenge to get it down to 60 or so for this book project. I want to get the book out this year. I have been working on this project since 2012. I’m continually photographing new subjects—all in Los Angeles right now. There is another series which began before The Sofas of LA—a project called Alternative Accommodation which focuses on the make-shift accommodation that homeless people string together in order to make it by. It is tied into the sofa project as it is a project that I photograph on the streets of Los Angeles. That’s all for now, Alexandre—thanks for inviting me to the project.
Thank you, Andrew.
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
Images
1 Elm Street, Cypress Park, Los Angeles, California (US).
2 W. Centinela Ave, Culver City, Los Angeles, California (US).
3 Mateo St, Arts District, DTLA., Los Angeles, California (US).
4 Figueroa Street, Mount Washington, Los Angeles, California (US).
5 N. Cherokee Ave, Hollywood, Los Angeles, California (US).
6 Riverside Drive, Frogtown, Los Angeles, California (US).
7 Chicago Street, Boyle Heights, Los Angeles, California (US).
8 N. Avenue 50, Highland Park, Los Angeles, California (US).
9 York Blvd, Highland Park, Los Angeles, California (US).
10 Monterey Road, Hermon, Los Angeles, California (US).
11 Monte Vista Street, Highland Park, Los Angeles, California (US).
12 Elk Street, Glendale, Los Angeles, California (US).
13 Sichel Street, Lincoln Heights, Los Angeles, California (US).
14 San Pascual Drive, Garvanza, Los Angeles, California (US).
15 N. Avenue 57, Highland Park, Los Angeles, California (US).
16 S. Avenue 64, Garvanza, Los Angeles, California (US).
17 Toledo Street, Highland Park, Los Angeles, California (US).
18 N. Avenue 66, Garvanza, Los Angeles, California (US).
19 Griffin Avenue, Lincoln Heights, Los Angeles, California (US).
20 Nolden Street, Highland Park, Los Angeles, California (US).
© Andrew Ward, The Sofas of LA, Los Angeles 2012–2016.
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ISO 3166-1 alpha-2
The two digit ISO country codes serve as a standardized reference to the geographical contexts of the projects and works presented on the platform. Their use allows locations to be identified clearly and unambiguously, independent of linguistic or regional variations, while simultaneously revealing which places are represented within the archive and which remain absent (for now).
AD Andorra
AE United Arab Emirates
AF Afghanistan
AG Antigua and Barbuda
AI Anguilla
AL Albania
AM Armenia
AO Angola
AQ Antarctica
AR Argentina
AS American Samoa
AT Austria
AU Australia
AW Aruba
AX Åland Islands
AZ Azerbaijan
BA Bosnia and Herzegovina
BB Barbados
BD Bangladesh
BE Belgium
BF Burkina Faso
BG Bulgaria
BH Bahrain
BI Burundi
BJ Benin
BL Saint Barthélemy
BM Bermuda
BN Brunei
BO Bolivia
BQ Bonaire Sint Eustatius and Saba
BR Brazil
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BT Bhutan
BV Bouvet Island
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CA Canada
CC Cocos Islands
CD Democratic Republic of the Congo
CF Central African Republic
CG Republic of the Congo
CH Switzerland
CI Côte d’Ivoire
CK Cook Islands
CL Chile
CM Cameroon
CN China
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CR Costa Rica
CU Cuba
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CW Curaçao
CX Christmas Island
CY Cyprus
CZ Czechia
DE Germany
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DK Denmark
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DO Dominican Republic
DZ Algeria
EC Ecuador
EE Estonia
EG Egypt
EH Western Sahara
ER Eritrea
ES Spain
ET Ethiopia
FI Finland
FJ Fiji
FK Falkland Islands
FM Micronesia
FO Faroe Islands
FR France
GA Gabon
GB United Kingdom
GD Grenada
GE Georgia
GF French Guiana
GG Guernsey
GH Ghana
GI Gibraltar
GL Greenland
GM Gambia
GN Guinea
GP Guadeloupe
GQ Equatorial Guinea
GR Greece
GS South Georgia and South Sandwich Islands
GT Guatemala
GU Guam
GW Guinea Bissau
GY Guyana
HK Hong Kong
HM Heard Island and McDonald Islands
HN Honduras
HR Croatia
HT Haiti
HU Hungary
ID Indonesia
IE Ireland
IL Israel
IM Isle of Man
IN India
IO British Indian Ocean Territory
IQ Iraq
IR Iran
IS Iceland
IT Italy
JE Jersey
JM Jamaica
JO Jordan
JP Japan
KE Kenya
KG Kyrgyzstan
KH Cambodia
KI Kiribati
KM Comoros
KN Saint Kitts and Nevis
KP North Korea
KR South Korea
KW Kuwait
KY Cayman Islands
KZ Kazakhstan
LA Laos
LB Lebanon
LC Saint Lucia
LI Liechtenstein
LK Sri Lanka
LR Liberia
LS Lesotho
LT Lithuania
LU Luxembourg
LV Latvia
LY Libya
MA Morocco
MC Monaco
MD Moldova
ME Montenegro
MF Saint Martin
MG Madagascar
MH Marshall Islands
MK North Macedonia
ML Mali
MM Myanmar
MN Mongolia
MO Macao
MP Northern Mariana Islands
MQ Martinique
MR Mauritania
MS Montserrat
MT Malta
MU Mauritius
MV Maldives
MW Malawi
MX Mexico
MY Malaysia
MZ Mozambique
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NF Norfolk Island
NG Nigeria
NI Nicaragua
NL Netherlands
NO Norway
NP Nepal
NR Nauru
NU Niue
NZ New Zealand
OM Oman
PA Panama
PE Peru
PF French Polynesia
PG Papua New Guinea
PH Philippines
PK Pakistan
PL Poland
PM Saint Pierre and Miquelon
PN Pitcairn
PR Puerto Rico
PS Palestine
PT Portugal
PW Palau
PY Paraguay
QA Qatar
RE Réunion
RO Romania
RS Serbia
RU Russia
RW Rwanda
SA Saudi Arabia
SB Solomon Islands
SC Seychelles
SD Sudan
SE Sweden
SG Singapore
SH Saint Helena
SI Slovenia
SJ Svalbard and Jan Mayen
SK Slovakia
SL Sierra Leone
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SO Somalia
SR Suriname
SS South Sudan
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SV El Salvador
SX Sint Maarten
SY Syria
SZ Eswatini
TC Turks and Caicos Islands
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TF French Southern Territories
TG Togo
TH Thailand
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TK Tokelau
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TM Turkmenistan
TN Tunisia
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TT Trinidad and Tobago
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TZ Tanzania
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As an open, discursive platform, allcitiesarebeautiful.com invites contributions from artists, photographers, writers, and publishers worldwide. Projects, publications, and texts can be submitted via the form below, following the category-specific guidelines. Submissions are welcomed from both emerging and established voices alike.
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• When submitting content, additional data may be collected, such as name, email address, biographical notes, and technical metadata. This data is used for editorial purposes and communication. [Art. 6(1)(a) or (f) GDPR]
• If a newsletter is subscribed to, personal data (email address and optionally name) will be processed by a third-party provider based in the EU or operating under a valid EU-US Data Privacy Framework. The subscription includes consent to store and process the data for the purpose of sending email updates. Subscription can be withdrawn at any time by using the unsubscribe link or contacting the address listed above. [Art. 6(1)(a) GDPR]
This website uses the analytics tool WP Statistics to evaluate visitor access for statistical purposes. The provider is Veronalabs, Tatari 64, 10134 Tallinn, Estonia (https://veronalabs.com). WP Statistics allows the website provider to analyze the use of the website. In doing so, WP Statistics collects log data (such as IP address, referrer, browser used, user’s origin, and search engine used) and user interactions on the website (e.g., clicks and page views). The data collected with WP Statistics is stored exclusively on the STRATO server. The use of this analytics tool is based on Article 6(1)(f) of the GDPR. The website provider has a legitimate interest in the anonymized analysis of user behavior in order to optimize the website. If consent has been requested, processing is carried out solely on the basis of Article 6(1)(a) of the GDPR and § 25(1) of the TDDDG, insofar as the consent includes the storage of cookies or access to information on the user’s device (e.g., device fingerprinting) as defined by the TDDDG. Consent can be revoked at any time.
This website uses Google Analytics, a service provided by Google Ireland Ltd., Gordon House, Barrow Street, Dublin 4, Ireland. Google Analytics uses cookies to analyze website usage. The information generated by the cookie (including IP address, truncated within the EU) is transmitted to a Google server and processed there. The data is used to evaluate user behavior and compile statistical reports. IP anonymization is active on this website. Data is processed based on consent [Art. 6(1)(a) GDPR] and may be withdrawn at any time via the cookie preferences. Users may also prevent data collection by disabling cookies in their browser or installing the following opt-out plugin: https://tools.google.com/dlpage/gaoptout. Further details: https://support.google.com/analytics/answer/6004245.
According to Articles 15–21 GDPR, data subjects have the right to: request access to their data, request correction or deletion, restrict processing, object to processing, request data portability, lodge a complaint with a supervisory authority.
Personal data is stored only for as long as necessary to fulfill its intended purpose or in accordance with statutory retention obligations. Data is deleted once the applicable period has expired.
Cookies
This website uses technically necessary cookies for its operation (e.g. session control, language preferences). Optional cookies—including those for statistical purposes (e.g. Google Analytics)—are used only with prior user consent (Art. 6(1)(a) GDPR). Cookie preferences can be managed via the cookie banner or browser settings. Disabling cookies may affect some website functions. Information about cookie types and purposes is available in the privacy policy above.
Imprint
Publisher
Alexandre Kurek
Martin-Luther-Straße 76
10825 Berlin, Germany
Email:
hello [at] allcitiesarebeautiful.com
Identity, logo design:
↘︎ Anja Rausch
Design, web design:
↘︎ Alexandre Kurek
Typeface:
ABC Diatype, Dinamo Typefaces
Website built with:
↘︎ Lay Theme
Legal disclosure
(in accordance with § 5 TMG and § 18 (2) MStV)
Responsible:
Alexandre Kurek
Martin-Luther-Straße 76
10825 Berlin, Germany
Email:
hello [at] allcitiesarebeautiful.com
Hosting provider:
STRATO AG
Otto-Ostrowski-Straße 7
10249 Berlin, Germany
↘︎ www.strato.de
By accessing and using the website allcitiesarebeautiful.com (the platform), users accept the following terms and conditions. These terms are subject to change without prior notice. Continued use of the platform after changes have been published constitutes acceptance of the updated version. The platform is provided for non-commercial, cultural and informational purposes. Unless explicitly stated, no content may be copied, reproduced, modified, published, transmitted, publicly displayed, or distributed in any form without prior written permission from the rights holder. Users may view, print, or download content for personal, non-commercial use, provided that the source and the name of the author or creator are clearly identified. Any use of the platform or its content that infringes upon the rights of others or violates applicable law is prohibited. Access to the platform does not imply the granting of any rights beyond those expressly stated here.
The platform curates and publishes visual and textual works provided by independent photographers, writers, artists and other contributors. Unless otherwise noted, all rights remain with the respective authors and copyright holders. The platform does not claim authorship or ownership of such third-party content and acts solely as the publisher. Content may be published based on permission, license, or submission by its creator. All contributions are attributed to the original authors wherever possible. The platform refrains from using any contributed content for purposes beyond publication unless further consent is obtained. Any use, duplication, distribution, or adaptation of such content beyond personal and non-commercial use is not permitted without the explicit approval of the respective rights holder.
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Users may submit content (e.g. photographs, texts, visual media) to the platform voluntarily. By submitting, contributors confirm that:
• the content is their own original work or they possess the necessary rights and permissions to submit it;
• the content does not violate any applicable law or infringe any third-party rights (including copyright, trademark, personality, or privacy rights);
• the submission does not contain unlawful, defamatory, discriminatory, or otherwise inappropriate material.
By submitting content, contributors grant the platform a non-exclusive, royalty-free, worldwide license to publish, display, and archive the submitted material on allcitiesarebeautiful.com, in associated newsletters, and on related social media channels. This license is granted for the purposes of editorial use, communication, and platform documentation. It does not include resale, commercial distribution, or modification of the work without separate permission. Contributors retain full copyright in their work. Any additional use of the submitted content outside of the above-mentioned scope will require further agreement. Contributors agree to indemnify and hold the platform harmless against any claims, damages or legal expenses that may arise as a result of unlawful submissions or third-party rights violations.
Privacy Policy
In accordance with Regulation (EU) 2016/679 (GDPR), the responsibility for processing personal data in connection with this platform lies with Alexandre Kurek (contact above). This includes the collection, storage, and use of personal data as described in this policy. Inquiries or concerns related to data protection or the exercise of data subject rights under the GDPR can be submitted via email.
The website is hosted by STRATO AG (Germany). As part of the hosting service, STRATO AG automatically collects and processes access data (such as IP address, time of access, and browser information) in order to ensure the technical functionality, stability, and security of the website. This processing is carried out on the basis of a legally binding Data Processing Agreement in accordance with Article 28 of the General Data Protection Regulation (GDPR) between the platform operator and the hosting provider. STRATO AG acts strictly on instruction and does not process any personal data for its own purposes. Further information on data protection can be found ↘︎ here.
• When visiting the platform, technical data for security and error detection [Art. 6, 1 (f) GDPR] may be automatically processed, including: anonymized IP address, date and time of the request, visited pages or files, referrer URL, browser type and version, operating system.
• If contact is made via email or form, personal data (e.g. name, email address, message content) is processed to respond to the inquiry. [Art. 6(1)(b) or (f) GDPR] No data is transferred to third parties unless legally required or explicitly consented to.
• When submitting content, additional data may be collected, such as name, email address, biographical notes, and technical metadata. This data is used for editorial purposes and communication. [Art. 6(1)(a) or (f) GDPR]
• If a newsletter is subscribed to, personal data (email address and optionally name) will be processed by a third-party provider based in the EU or operating under a valid EU-US Data Privacy Framework. The subscription includes consent to store and process the data for the purpose of sending email updates. Subscription can be withdrawn at any time by using the unsubscribe link or contacting the address listed above. [Art. 6(1)(a) GDPR]
This website uses the analytics tool WP Statistics to evaluate visitor access for statistical purposes. The provider is Veronalabs, Tatari 64, 10134 Tallinn, Estonia (https://veronalabs.com). WP Statistics allows the website provider to analyze the use of the website. In doing so, WP Statistics collects log data (such as IP address, referrer, browser used, user’s origin, and search engine used) and user interactions on the website (e.g., clicks and page views). The data collected with WP Statistics is stored exclusively on the STRATO server. The use of this analytics tool is based on Article 6(1)(f) of the GDPR. The website provider has a legitimate interest in the anonymized analysis of user behavior in order to optimize the website. If consent has been requested, processing is carried out solely on the basis of Article 6(1)(a) of the GDPR and § 25(1) of the TDDDG, insofar as the consent includes the storage of cookies or access to information on the user’s device (e.g., device fingerprinting) as defined by the TDDDG. Consent can be revoked at any time.
This website uses Google Analytics, a service provided by Google Ireland Ltd., Gordon House, Barrow Street, Dublin 4, Ireland. Google Analytics uses cookies to analyze website usage. The information generated by the cookie (including IP address, truncated within the EU) is transmitted to a Google server and processed there. The data is used to evaluate user behavior and compile statistical reports. IP anonymization is active on this website. Data is processed based on consent [Art. 6(1)(a) GDPR] and may be withdrawn at any time via the cookie preferences. Users may also prevent data collection by disabling cookies in their browser or installing the following opt-out plugin: https://tools.google.com/dlpage/gaoptout. Further details: https://support.google.com/analytics/answer/6004245.
According to Articles 15–21 GDPR, data subjects have the right to: request access to their data, request correction or deletion, restrict processing, object to processing, request data portability, lodge a complaint with a supervisory authority.
Personal data is stored only for as long as necessary to fulfill its intended purpose or in accordance with statutory retention obligations. Data is deleted once the applicable period has expired.
Cookies
This website uses technically necessary cookies for its operation (e.g. session control, language preferences). Optional cookies—including those for statistical purposes (e.g. Google Analytics)—are used only with prior user consent (Art. 6(1)(a) GDPR). Cookie preferences can be managed via the cookie banner or browser settings. Disabling cookies may affect some website functions. Information about cookie types and purposes is available in the privacy policy above.
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The allcitiesarebeautiful.com newsletter offers a curated monthly overview of new projects, texts, and publications featured on the platform, along with occasional recommendations and selected news from the wider community. On special occasions, you will also receive information about upcoming events, publications, and related initiatives. No automated mailings, no unnecessary messages—only relevant updates. You can unsubscribe at any time via the link provided in the email footer.
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Newsletter
The allcitiesarebeautiful.com newsletter offers a curated monthly overview of new projects, texts, and publications featured on the platform, along with occasional recommendations and selected news from the wider community. On special occasions, you will also receive information about upcoming events, publications, and related initiatives. No automated mailings, no unnecessary messages—only relevant updates. You can unsubscribe at any time via the link provided in the email footer.
Info:
Fields marked with an * are required