1
Cape Coast, Ghana
(1) Please introduce yourself: What is your name, where are you from, what do you do?
My name is Nipah Dennis. I am Ghanaian and a photographer; I wouldn’t want to be anything else.
(2) What is your relationship with photography and how did you get into it?
I got into photography when I chanced upon street photography on the internet. Since then, photography has been my everything. It is all I do, all I think of, and all I dream of. Photography continues to give me access to places I normally wouldn’t be allowed. It continues to teach me.
(3) What do you think triggers you to photograph in a certain moment? Is it planned or solely driven by intuition?
I’d say both. Sometimes I plan, but most times it's intuition. And I believe that is what makes photography so beautiful.
(4) What is the story you want your pictures to tell?
I want my pictures to tell stories that provide information, educate, and demand consideration for the people that they depict.
(5) Which city would you like to visit the most, and why?
I haven’t had any desire to visit any city outside of my own country, Ghana. I continue to be curious about Takoradi in the western part of Ghana. I have visited several times, mainly for work and vacation. But I wish to live there for maybe a few months. In terms of industrialization, the city appears to have been very active both before and after its independence in 1957. I think the city had more potential to contribute to the nation's development than it does now. I want to make photographs of this city. I want to know about its history.
(6) What is your personal relationship to cities and how do you perceive them as places in general?
My work as a photographer allows me to see places all year long. I’m not sure I have a personal relationship with cities. Perhaps I should pay attention now that you asked. However, people’s ways of life always get my attention when I visit places.
(7) Regarding your project Living by the castle: What was your intention, and how did you come up with the idea?
I am still developing the idea for this project. I was on assignment, traveling across the coastal areas of Ghana, looking at how climate change is affecting castles and slave forts. We then got to the Cape Coast Castle, which served as one of the main places for the slave trade and has become one of the most visited places by black people across the world. While waiting to get in, I decided to take a walk around. The scenes reminded me of James Barnor’s photographs from the 1950s or so. I wondered how much has changed. I want to look into the daily lives of the people living close to the castles, especially in the present time. I want to compare the photographs to those from the past of the same area or similar. Hence, the format I chose, which was inspired by the legendary Ghanaian photographer James Barnor.
(8) Which project did you never finish?
I had an idea for a project on water. I then found out that the main subject that inspired the idea had passed. I tried to still find other ways but it’s been difficult getting information on the subject. I will try again.
(9) What is that «one thing» you have never managed to photograph and is now gone for good?
That will take me back to Takoradi also known as the oil city. There use to be this wreck that I was told was used for the extraction of oil. I think was replaced with a new one and this particular one was left floating. Each time I saw it in a different location and I wanted to photograph it every time it moved to a different location. Just when I was ready to start, it was nowhere to be found. I was told it’s been taken out. Now, every time I visit the place I hoped that it was here. Lesson learned.
(10) If you could travel back / forth in time, what advice would you give your younger / older self?
The same advice I always gave myself. To not give up photography.
(11) What do you prefer saying: To «take a photograph» or to «make a photograph», and why?
I prefer saying, «to make a photograph». There is a process before my photographs come to exist. The process is not point and shoot. That process of deciding what I want in the frame and how I want it is the making of a photograph for me.
(12) What is the most interesting experience you have had while photographing?
One that I can remember was my assignment to photograph the behind-the-scenes of Good Morning America while they broadcast live from Ghana. On the second day of broadcasting, the show’s host, Robin Roberts, upon her arrival on set, kind of asked everyone to pause for a second to tell me how good my work was. She had seen my photographs from the previous day. This is not something I believe photographers like myself get much of if any at all. This was very encouraging.
(13) If it wasn’t for photography, what would you be interested in doing instead?
I would be interested in architecture or carpentry. These are two things I want to do at some point in my life.
(14) How would you describe one of your pictures to a visually impaired person?
Tough one. I must admit. I am a visual person; I find it difficult to use words.
(15) What are you currently working on, and—if there is—what is your next project or journey?
I am not currently working on any personal projects. My focus is on building on clients’ work to make them a body of work rather than strictly following a sort of brief. That is the journey I am on now.
Thank you, Nipah.
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4
5
6
7
8
9
10
Images
1–10 Nipah Dennis Living by the castle, Cape Coast, Ghana 2022.
1
Cape Coast, Ghana
(1) Please introduce yourself: What is your name, where are you from, what do you do?
My name is Nipah Dennis. I am Ghanaian and a photographer; I wouldn’t want to be anything else.
(2) What is your relationship with photography and how did you get into it?
I got into photography when I chanced upon street photography on the internet. Since then, photography has been my everything. It is all I do, all I think of, and all I dream of. Photography continues to give me access to places I normally wouldn’t be allowed. It continues to teach me.
(3) What do you think triggers you to photograph in a certain moment? Is it planned or solely driven by intuition?
I’d say both. Sometimes I plan, but most times it's intuition. And I believe that is what makes photography so beautiful.
(4) What is the story you want your pictures to tell?
I want my pictures to tell stories that provide information, educate, and demand consideration for the people that they depict.
(5) Which city would you like to visit the most, and why?
I haven’t had any desire to visit any city outside of my own country, Ghana. I continue to be curious about Takoradi in the western part of Ghana. I have visited several times, mainly for work and vacation. But I wish to live there for maybe a few months. In terms of industrialization, the city appears to have been very active both before and after its independence in 1957. I think the city had more potential to contribute to the nation's development than it does now. I want to make photographs of this city. I want to know about its history.
(6) What is your personal relationship to cities and how do you perceive them as places in general?
My work as a photographer allows me to see places all year long. I’m not sure I have a personal relationship with cities. Perhaps I should pay attention now that you asked. However, people’s ways of life always get my attention when I visit places.
(7) Regarding your project Living by the castle: What was your intention, and how did you come up with the idea?
I am still developing the idea for this project. I was on assignment, traveling across the coastal areas of Ghana, looking at how climate change is affecting castles and slave forts. We then got to the Cape Coast Castle, which served as one of the main places for the slave trade and has become one of the most visited places by black people across the world. While waiting to get in, I decided to take a walk around. The scenes reminded me of James Barnor’s photographs from the 1950s or so. I wondered how much has changed. I want to look into the daily lives of the people living close to the castles, especially in the present time. I want to compare the photographs to those from the past of the same area or similar. Hence, the format I chose, which was inspired by the legendary Ghanaian photographer James Barnor.
(8) Which project did you never finish?
I had an idea for a project on water. I then found out that the main subject that inspired the idea had passed. I tried to still find other ways but it’s been difficult getting information on the subject. I will try again.
(9) What is that «one thing» you have never managed to photograph and is now gone for good?
That will take me back to Takoradi also known as the oil city. There use to be this wreck that I was told was used for the extraction of oil. I think was replaced with a new one and this particular one was left floating. Each time I saw it in a different location and I wanted to photograph it every time it moved to a different location. Just when I was ready to start, it was nowhere to be found. I was told it’s been taken out. Now, every time I visit the place I hoped that it was here. Lesson learned.
(10) If you could travel back / forth in time, what advice would you give your younger / older self?
The same advice I always gave myself. To not give up photography.
(11) What do you prefer saying: To «take a photograph» or to «make a photograph», and why?
I prefer saying, «to make a photograph». There is a process before my photographs come to exist. The process is not point and shoot. That process of deciding what I want in the frame and how I want it is the making of a photograph for me.
(12) What is the most interesting experience you have had while photographing?
One that I can remember was my assignment to photograph the behind-the-scenes of Good Morning America while they broadcast live from Ghana. On the second day of broadcasting, the show’s host, Robin Roberts, upon her arrival on set, kind of asked everyone to pause for a second to tell me how good my work was. She had seen my photographs from the previous day. This is not something I believe photographers like myself get much of if any at all. This was very encouraging.
(13) If it wasn’t for photography, what would you be interested in doing instead?
I would be interested in architecture or carpentry. These are two things I want to do at some point in my life.
(14) How would you describe one of your pictures to a visually impaired person?
Tough one. I must admit. I am a visual person; I find it difficult to use words.
(15) What are you currently working on, and—if there is—what is your next project or journey?
I am not currently working on any personal projects. My focus is on building on clients’ work to make them a body of work rather than strictly following a sort of brief. That is the journey I am on now.
Thank you, Nipah.
2
3
4
5
6
7
8
9
10
Images
1–10 Nipah Dennis Living by the castle, Cape Coast, Ghana 2022.
ISO 3166-1 alpha-2
The two digit ISO country codes serve as a standardized reference to the geographical contexts of the projects and works presented on the platform. Their use allows locations to be identified clearly and unambiguously, independent of linguistic or regional variations, while simultaneously revealing which places are represented within the archive (and how often) and which remain absent (for now).
AD Andorra
AE United Arab Emirates (1)
AF Afghanistan
AG Antigua and Barbuda
AI Anguilla
AL Albania
AM Armenia
AO Angola
AQ Antarctica
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GR Greece
GS South Georgia and South Sandwich Islands
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GW Guinea Bissau
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TF French Southern Territories
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UA Ukraine
UG Uganda (1)
UM United States Minor Outlying Islands
US United States (48)
UY Uruguay (1)
UZ Uzbekistan
VA Vatican City
VC Saint Vincent and the Grenadines
VE Venezuela
VG British Virgin Islands
VI United States Virgin Islands
VN Vietnam (1)
VU Vanuatu
WF Wallis and Futuna
WS Samoa
YE Yemen
YT Mayotte
ZA South Africa
ZM Zambia
ZW Zimbabwe
ISO 3166-1 alpha-2
The two digit ISO country codes serve as a standardized reference to the geographical contexts of the projects and works presented on the platform. Their use allows locations to be identified clearly and unambiguously, independent of linguistic or regional variations, while simultaneously revealing which places are represented within the archive (and how often) and which remain absent (for now).
AD Andorra
AE United Arab Emirates (1)
AF Afghanistan
AG Antigua and Barbuda
AI Anguilla
AL Albania
AM Armenia
AO Angola
AQ Antarctica
AR Argentina
AS American Samoa
ATAustria
AU Australia (1)
AW Aruba
AX Åland Islands
AZ Azerbaijan
BA Bosnia and Herzegovina
BB Barbados
BD Bangladesh
BE Belgium (2)
BF Burkina Faso
BG Bulgaria
BH Bahrain
BI Burundi
BJ Benin
BL Saint Barthélemy
BM Bermuda
BN Brunei
BO Bolivia
BQ Bonaire Sint Eustatius and Saba
BR Brazil (1)
BS Bahamas
BT Bhutan
BV Bouvet Island
BW Botswana
BY Belarus
BZ Belize
CA Canada (2)
CC Cocos Islands
CD Democratic Republic of the Congo
CF Central African Republic
CG Republic of the Congo
CHSwitzerland
CI Côte d’Ivoire
CK Cook Islands
CL Chile (2)
CM Cameroon
CN China (6)
CO Colombia
CR Costa Rica
CU Cuba
CV Cabo Verde
CW Curaçao
CX Christmas Island
CY Cyprus
CZ Czechia
DE Germany (10)
DJ Djibouti
DKDenmark
DM Dominica
DO Dominican Republic
DZ Algeria
EC Ecuador
EE Estonia
EG Egypt
EH Western Sahara
ER Eritrea
ES Spain (5)
ET Ethiopia
FI Finland
FJ Fiji
FK Falkland Islands
FM Micronesia
FO Faroe Islands
FR France (4)
GA Gabon
GB United Kingdom (14)
GD Grenada
GE Georgia (2)
GF French Guiana
GG Guernsey
GH Ghana (2)
GI Gibraltar
GL Greenland
GM Gambia
GN Guinea
GP Guadeloupe
GQ Equatorial Guinea
GR Greece
GS South Georgia and South Sandwich Islands
GT Guatemala (1)
GU Guam
GW Guinea Bissau
GY Guyana
HK Hong Kong (3)
HM Heard Island and McDonald Islands
HN Honduras
HR Croatia
HT Haiti
HU Hungary
ID Indonesia
IE Ireland
ILIsrael
IM Isle of Man
IN India (1)
IO British Indian Ocean Territory
IQ Iraq
IR Iran (2)
IS Iceland
IT Italy (8)
JE Jersey
JM Jamaica
JO Jordan
JP Japan (9)
KE Kenya
KG Kyrgyzstan
KH Cambodia
KI Kiribati
KM Comoros
KN Saint Kitts and Nevis
KP North Korea
KR South Korea (2)
KW Kuwait
KY Cayman Islands
KZ Kazakhstan
LA Laos
LB Lebanon
LC Saint Lucia
LI Liechtenstein
LK Sri Lanka
LR Liberia
LS Lesotho
LT Lithuania (1)
LU Luxembourg
LV Latvia
LY Libya
MA Morocco (3)
MC Monaco
MD Moldova
ME Montenegro
MF Saint Martin
MG Madagascar
MH Marshall Islands
MK North Macedonia (1)
ML Mali
MM Myanmar
MN Mongolia
MO Macao
MP Northern Mariana Islands
MQ Martinique
MR Mauritania
MS Montserrat
MT Malta
MU Mauritius
MV Maldives
MW Malawi
MX Mexico (3)
MY Malaysia (1)
MZ Mozambique
NA Namibia
NC New Caledonia
NE Niger
NF Norfolk Island
NG Nigeria
NI Nicaragua
NL Netherlands (3)
NO Norway (1)
NP Nepal
NR Nauru
NU Niue
NZ New Zealand (1)
OM Oman
PA Panama
PE Peru
PF French Polynesia
PG Papua New Guinea
PH Philippines (1)
PK Pakistan
PL Poland (1)
PM Saint Pierre and Miquelon
PN Pitcairn
PR Puerto Rico
PS Palestine
PT Portugal (1)
PW Palau
PY Paraguay
QA Qatar
RE Réunion
RO Romania
RS Serbia
RU Russia (2)
RW Rwanda
SA Saudi Arabia
SB Solomon Islands
SC Seychelles
SD Sudan
SE Sweden (1)
SG Singapore (3)
SH Saint Helena
SI Slovenia
SJ Svalbard and Jan Mayen
SK Slovakia
SL Sierra Leone
SM San Marino
SN Senegal (1)
SO Somalia
SR Suriname
SS South Sudan
ST Sao Tome and Principe
SV El Salvador
SX Sint Maarten
SY Syria
SZ Eswatini
TC Turks and Caicos Islands
TD Chad
TF French Southern Territories
TG Togo
TH Thailand (2)
TJ Tajikistan
TK Tokelau
TL Timor Leste
TM Turkmenistan (1)
TN Tunisia
TO Tonga
TR Türkiye (3)
TT Trinidad and Tobago
TV Tuvalu
TW Taiwan
TZ Tanzania
UA Ukraine
UG Uganda (1)
UM United States Minor Outlying Islands
US United States (48)
UY Uruguay (1)
UZ Uzbekistan
VA Vatican City
VC Saint Vincent and the Grenadines
VE Venezuela
VG British Virgin Islands
VI United States Virgin Islands
VN Vietnam (1)
VU Vanuatu
WF Wallis and Futuna
WS Samoa
YE Yemen
YT Mayotte
ZA South Africa
ZM Zambia
ZW Zimbabwe
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As an open, discursive platform, allcitiesarebeautiful.com invites contributions from artists, photographers, writers, and publishers worldwide. Projects, publications, and texts can be submitted via the form below, following the category-specific guidelines. Submissions are welcomed from both emerging and established voices alike.
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Personal data is stored only for as long as necessary to fulfill its intended purpose or in accordance with statutory retention obligations. Data is deleted once the applicable period has expired.
Cookies
This website uses technically necessary cookies for its operation (e.g. session control, language preferences). Optional cookies—including those for statistical purposes (e.g. Google Analytics)—are used only with prior user consent (Art. 6(1)(a) GDPR). Cookie preferences can be managed via the cookie banner or browser settings. Disabling cookies may affect some website functions. Information about cookie types and purposes is available in the privacy policy above.
Imprint
Publisher
Alexandre Kurek
Martin-Luther-Straße 76
10825 Berlin, Germany
Email:
hello [at] allcitiesarebeautiful.com
Identity, logo design:
↘︎ Anja Rausch
Design, web design:
↘︎ Alexandre Kurek
Typeface:
ABC Diatype, Dinamo Typefaces
Website built with:
↘︎ Lay Theme
Legal disclosure
(in accordance with § 5 TMG and § 18 (2) MStV)
Responsible:
Alexandre Kurek
Martin-Luther-Straße 76
10825 Berlin, Germany
Email:
hello [at] allcitiesarebeautiful.com
Hosting provider:
STRATO AG
Otto-Ostrowski-Straße 7
10249 Berlin, Germany
↘︎ www.strato.de
By accessing and using the website allcitiesarebeautiful.com (the platform), users accept the following terms and conditions. These terms are subject to change without prior notice. Continued use of the platform after changes have been published constitutes acceptance of the updated version. The platform is provided for non-commercial, cultural and informational purposes. Unless explicitly stated, no content may be copied, reproduced, modified, published, transmitted, publicly displayed, or distributed in any form without prior written permission from the rights holder. Users may view, print, or download content for personal, non-commercial use, provided that the source and the name of the author or creator are clearly identified. Any use of the platform or its content that infringes upon the rights of others or violates applicable law is prohibited. Access to the platform does not imply the granting of any rights beyond those expressly stated here.
The platform curates and publishes visual and textual works provided by independent photographers, writers, artists and other contributors. Unless otherwise noted, all rights remain with the respective authors and copyright holders. The platform does not claim authorship or ownership of such third-party content and acts solely as the publisher. Content may be published based on permission, license, or submission by its creator. All contributions are attributed to the original authors wherever possible. The platform refrains from using any contributed content for purposes beyond publication unless further consent is obtained. Any use, duplication, distribution, or adaptation of such content beyond personal and non-commercial use is not permitted without the explicit approval of the respective rights holder.
Submissions
Users may submit content (e.g. photographs, texts, visual media) to the platform voluntarily. By submitting, contributors confirm that:
• the content is their own original work or they possess the necessary rights and permissions to submit it;
• the content does not violate any applicable law or infringe any third-party rights (including copyright, trademark, personality, or privacy rights);
• the submission does not contain unlawful, defamatory, discriminatory, or otherwise inappropriate material.
By submitting content, contributors grant the platform a non-exclusive, royalty-free, worldwide license to publish, display, and archive the submitted material on allcitiesarebeautiful.com, in associated newsletters, and on related social media channels. This license is granted for the purposes of editorial use, communication, and platform documentation. It does not include resale, commercial distribution, or modification of the work without separate permission. Contributors retain full copyright in their work. Any additional use of the submitted content outside of the above-mentioned scope will require further agreement. Contributors agree to indemnify and hold the platform harmless against any claims, damages or legal expenses that may arise as a result of unlawful submissions or third-party rights violations.
Privacy Policy
In accordance with Regulation (EU) 2016/679 (GDPR), the responsibility for processing personal data in connection with this platform lies with Alexandre Kurek (contact above). This includes the collection, storage, and use of personal data as described in this policy. Inquiries or concerns related to data protection or the exercise of data subject rights under the GDPR can be submitted via email.
The website is hosted by STRATO AG (Germany). As part of the hosting service, STRATO AG automatically collects and processes access data (such as IP address, time of access, and browser information) in order to ensure the technical functionality, stability, and security of the website. This processing is carried out on the basis of a legally binding Data Processing Agreement in accordance with Article 28 of the General Data Protection Regulation (GDPR) between the platform operator and the hosting provider. STRATO AG acts strictly on instruction and does not process any personal data for its own purposes. Further information on data protection can be found ↘︎ here.
• When visiting the platform, technical data for security and error detection [Art. 6, 1 (f) GDPR] may be automatically processed, including: anonymized IP address, date and time of the request, visited pages or files, referrer URL, browser type and version, operating system.
• If contact is made via email or form, personal data (e.g. name, email address, message content) is processed to respond to the inquiry. [Art. 6(1)(b) or (f) GDPR] No data is transferred to third parties unless legally required or explicitly consented to.
• When submitting content, additional data may be collected, such as name, email address, biographical notes, and technical metadata. This data is used for editorial purposes and communication. [Art. 6(1)(a) or (f) GDPR]
• If a newsletter is subscribed to, personal data (email address and optionally name) will be processed by a third-party provider based in the EU or operating under a valid EU-US Data Privacy Framework. The subscription includes consent to store and process the data for the purpose of sending email updates. Subscription can be withdrawn at any time by using the unsubscribe link or contacting the address listed above. [Art. 6(1)(a) GDPR]
This website uses the analytics tool WP Statistics to evaluate visitor access for statistical purposes. The provider is Veronalabs, Tatari 64, 10134 Tallinn, Estonia (https://veronalabs.com). WP Statistics allows the website provider to analyze the use of the website. In doing so, WP Statistics collects log data (such as IP address, referrer, browser used, user’s origin, and search engine used) and user interactions on the website (e.g., clicks and page views). The data collected with WP Statistics is stored exclusively on the STRATO server. The use of this analytics tool is based on Article 6(1)(f) of the GDPR. The website provider has a legitimate interest in the anonymized analysis of user behavior in order to optimize the website. If consent has been requested, processing is carried out solely on the basis of Article 6(1)(a) of the GDPR and § 25(1) of the TDDDG, insofar as the consent includes the storage of cookies or access to information on the user’s device (e.g., device fingerprinting) as defined by the TDDDG. Consent can be revoked at any time.
This website uses Google Analytics, a service provided by Google Ireland Ltd., Gordon House, Barrow Street, Dublin 4, Ireland. Google Analytics uses cookies to analyze website usage. The information generated by the cookie (including IP address, truncated within the EU) is transmitted to a Google server and processed there. The data is used to evaluate user behavior and compile statistical reports. IP anonymization is active on this website. Data is processed based on consent [Art. 6(1)(a) GDPR] and may be withdrawn at any time via the cookie preferences. Users may also prevent data collection by disabling cookies in their browser or installing the following opt-out plugin: https://tools.google.com/dlpage/gaoptout. Further details: https://support.google.com/analytics/answer/6004245.
According to Articles 15–21 GDPR, data subjects have the right to: request access to their data, request correction or deletion, restrict processing, object to processing, request data portability, lodge a complaint with a supervisory authority.
Personal data is stored only for as long as necessary to fulfill its intended purpose or in accordance with statutory retention obligations. Data is deleted once the applicable period has expired.
Cookies
This website uses technically necessary cookies for its operation (e.g. session control, language preferences). Optional cookies—including those for statistical purposes (e.g. Google Analytics)—are used only with prior user consent (Art. 6(1)(a) GDPR). Cookie preferences can be managed via the cookie banner or browser settings. Disabling cookies may affect some website functions. Information about cookie types and purposes is available in the privacy policy above.
Newsletter
The allcitiesarebeautiful.com newsletter offers a curated overview of new projects, texts, and publications featured on the platform, along with occasional recommendations and selected news from the wider community. On special occasions, you will also receive information about upcoming events, publications, and related initiatives. No automated mailings, no unnecessary messages—only relevant updates. You can unsubscribe at any time via the link provided in the email footer.
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Newsletter
The allcitiesarebeautiful.com newsletter offers a curated overview of new projects, texts, and publications featured on the platform, along with occasional recommendations and selected news from the wider community. On special occasions, you will also receive information about upcoming events, publications, and related initiatives. No automated mailings, no unnecessary messages—only relevant updates. You can unsubscribe at any time via the link provided in the email footer.
Info:
Fields marked with an * are required